In memory of Randy Rhoads
exotic sounds
in arch enemys wages of sin cd..chris and micheal ammot get some realy cool exotic sounds from the guitar..could any one link me to a site or tab out some exotic scales or does anyone know of some exotic stuff..the only one i know is phrgian and i only know one placement of it
# 1
Here's some exotic scales on this site:
http://www.guitartricks.com/2000/trick.php?trick_id=5706&s_id=40
http://www.guitartricks.com/2000/trick.php?trick_id=5706&s_id=40
Sometimes I hit notes only dogs can hear.
# 2
Hey PonyOne thanks man...I checked that site out.
It rocks...I`d never heard of it before...but I know I`ll use it a lot...its got some awesome stuff on it.
Thanks
It rocks...I`d never heard of it before...but I know I`ll use it a lot...its got some awesome stuff on it.
Thanks
[FONT=Century Gothic]Hope is when we feel the pain that makes us try again[/FONT]
# 3
is the melodic minor or the phyrgian scale..do they have that exotic sound???
about freak guitar they only give one postition and im about as dumb as rock when it comes t music theory so i dont have a clue on how to move the postions up and down the neck..any help?
about freak guitar they only give one postition and im about as dumb as rock when it comes t music theory so i dont have a clue on how to move the postions up and down the neck..any help?
In memory of Randy Rhoads
# 4
heres an example vid from micheal ammot..do u know what scale this is?
http://www.archenemy.tv/studio/archenemy_studio1.MPG
http://www.archenemy.tv/studio/archenemy_studio1.MPG
In memory of Randy Rhoads
# 5
The Phrygian and Locrian have particularly exotic sounds, although as you advance as a guitarist, you'll realize that you can make any scale sound exotic, it's just the notes that you are playing. This is the idea of "modes"; there are tons of pages regarding modes on this website, it'd be worthless to explain it again, etc.
The way i play exotic types of sounds now...I add chromatics. Usually, if i'm playing in a major key, i'll add the bIII from the parallel minor, and flat the major seventh...then I add some chromatics every once in a while; Nothing is concrete, though; most scales are. That's the trick, is never be concrete in your playing. Just because the D note isn't in the E major scale doesn't mean you can't play it. Play it! it's called E dorian, if you follow the guidelines of D Major, inverted.
Always change! play the 3rds, 5ths, unisons, etc, there are no rules, and basically what i mean is that eventually you'll find yourself playing out of feeling, and not out of scales.
Sorry for the rant, i haven't done that in a while. :D
The way i play exotic types of sounds now...I add chromatics. Usually, if i'm playing in a major key, i'll add the bIII from the parallel minor, and flat the major seventh...then I add some chromatics every once in a while; Nothing is concrete, though; most scales are. That's the trick, is never be concrete in your playing. Just because the D note isn't in the E major scale doesn't mean you can't play it. Play it! it's called E dorian, if you follow the guidelines of D Major, inverted.
Always change! play the 3rds, 5ths, unisons, etc, there are no rules, and basically what i mean is that eventually you'll find yourself playing out of feeling, and not out of scales.
Sorry for the rant, i haven't done that in a while. :D
# 6
dont worry bout that..i ddint get most of what you said cuz my knowledge on music theory is horrible..ive been playing for about 2 years and playing with feeling just hasnt hit me yet..ill hear somthin in my head but not beable to pull it out on the guitar
In memory of Randy Rhoads
# 7
