So...for any of those triads (inverted, 3rd, 5th, or 7th or not) I can think of them as just shapes that move up or down the fretboard going a a# b c c# d d# etc etc... just like the barre chords do???? Why did I not notice this before???????
What you're trying to tell me is that in about 10 minutes you taught me how to play and identify a thousand different chords????!!!!!!
And now i feel dumb.
