Alphabetically: a, b, c, d, e, f, f-sharp, g, a. If you remove the f-sharp and you still have the C major scale: c, d, e, f, g, a, b, c.
So we have the C major or A minor scale with one extra note, the f-sharp. The C major scale will work fine, of course for all the chords until you get to the D major chord. When that D major chord happens though, you will want to alter the notes of the scale to reflect this:
Alphabetically: a, b, c, d, e, f-sharp, g, a. Or: c, d, e, f-sharp, g, a, b, c.
Notice that this can be seen as either a C major scale with an f-sharp, or the G major scale. Either way you chose to look at it, play those notes when the D major chord happens, emphasizing the chord tones d, f-sharp and a. When the song goes back to C major, A minor, F major, or G major, then return to using the f natural as is in the unaltered C major scale!
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- Identifying The Key Signature
- Playing The Major Scale In Time
- Major Scale Play Along
- Targeting Chord Tones
- Chord Tones Play Along
- Using The Scale And Targeting Chord Tones
- Melody Play Along
- Melody An Octave Higher
- Octave Higher Melody Play Along
- Modulation Melody Play Along
- Modulation An Octave Higher
- Octave Higher Modulation Melody Play Along
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