I have this progression that basically uses Dm Cadd2 Am Emaj (with a few variations here and there). When I messed around over it in D Minor, it sounded really off, but when I tried A Harmonic minor and it sounded really nice. Can anyone explain this?
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Here's a theory problem I've been pondering over...
I have this progression that basically uses Dm Cadd2 Am Emaj (with a few variations here and there). When I messed around over it in D Minor, it sounded really off, but when I tried A Harmonic minor and it sounded really nice. Can anyone explain this?
I have this progression that basically uses Dm Cadd2 Am Emaj (with a few variations here and there). When I messed around over it in D Minor, it sounded really off, but when I tried A Harmonic minor and it sounded really nice. Can anyone explain this?
